William Gibson’s Neuromancer: the Creation of a Language :: Essays Papers

William Gibson’s Neuromancer: the Creation of a Language Published in 1984, Gibson’s Neuromancer, with its vision of technological and impersonal life in the twenty-first century, echoes George Orwell’s ironic commentary on the controlling and dehumanising bureaucracy associated with post-war society. Writing in an era when technological and scientific advances are increasingly prominent, often to the detriment of humanity, Gibson differs from other science fiction writers in that he uses existing contemporary themes and issues, forecasting a possible and believable future and simultaneously providing a commentary on late twentieth-century society which his audience can relate to. His version of this not-so-distant future stems from an observation of contemporary post-colonial society in which national identity is shown to be insignificant, as uniformity reigns supreme. Speaking of the influences on his fiction, he states: I see myself as a kind of literary collage-artist, and sf as a marketing framework that allows me to gleefully ransack the whole fat supermarket of 20th century cultural symbols (Maddox, Tom. â€Å"Cobra, She Said: An Interim Report on the Fiction of William Gibson.† Fantasy Review 4: April 1986, 46- 8). Through the novel Gibson was responsible for creating the terms â€Å"virtual reality† and â€Å"cyberspace†, and in an increasingly computer literate age these terms would be adopted by a generation of users, becoming an independent and universal language. Within the novel cyberspace is described as a consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. (Gibson, William. Neuromancer, 67). As technology has advanced with inventions such as the Internet and computer simulated images, the possibility of existing within this alternative world has become a reality. Therefore it can be argued that Gibson’s futuristic vision has in fact been realized, within a few years of the novel’s publication, and reinforces the view put forward by Maddox: â€Å"If the 20th century has a distinct narrative voice, this is it† (Maddox. Fantasy Review, 46-8). Gibson addresses global concerns with his depiction of advances in technology leading to the computer becoming an independent life form. Despite the intentions of those responsible for creating this technology, it is this artificial intelligence which triumphs at the end of the novel. Echoing the viewpoint of Jean Baudrillard, who believes that reality is shown to be irrelevant in contemporary society due primarily to technological advances, the simulated world of cyberspace is shown to offer individuals greater possibilities and rewards than the harsh reality ever could.

George Gittoes White Earth Essay

George Gittoes’ art piece, White Earth is a dramatic oil on canvas depicting the political corruption a 15 year old boy had been pressured into. Gittoes, the renowned Australian artist has always created his pieces by inspiration of his life experiences. He has an immense passion for art and humanity so being an eye witness to suffrage of humanity all over the world is conveyed in his work. White Earth is another successful and captivating work. Gittoes was witness to an Afrikaaner – Weerstands Beweging (AWB) Rally in South Africa of April 1994, where he saw a 15 year old boy submerged in the propaganda of Nazi in youths. The young boy gets on the stage silent with resentment as photographers begin to infinitely snap at him. Gittoes’ sympathy for the boy is emphasized as he retells them â€Å"raping and torturing† him. Too young to understand the political corruption he is stuck between being used by the ABW and being tortured by the international press. Trapped, as the victim of this controversial saga, his only escape is to close his eyes, however it is impossible to close his to ears to the Hate Speech delivered by Terre Blanche. Gittoes sympathized for his entrapment and compelling distressed state, so he depicts and dramatically distorts this experience through the art piece, White Earth. Being one to love expressionism, his passion for it gives meaning to convey and express emotions and feelings. He exaggerates the boy giving specific detail and emphasis to his ears. The distortion of his ears expresses the impossibility of closing his now larger ears. The figure to the right is racist Terre Blanche driving the propaganda into him, taking advantage of his naà ¯ve and young position. Distinct lines and vibrant colours on the boys face determine his resentment and struggle in his entrapment of what is around him. Once again George Gittoes amazes us with his brilliant techniques and skills. The strokes and their positioning all are part of his meaning in this sad  piece. Distortion not only occurs in his ears but all over his body, he appears larger as if we had grown up, Gittoes portraying his growth is too fast and unnatural due to the boy’s youth and already ‘political career’. White Earth along with many of George Gittoes’ work depicts inhumanity, suffrage and the struggle of people everywhere. It is on of his best works portraying the struggle of a boy stuck between two corruptions and expressing his longing to escape the entrapment. Art lovers all over the world have passion for this renowned piece and those hating suffrage and inhumanity will also be touched by this intricate story ever so sad yet breathtaking piece, by the profound and magnificent George Gittoes.

The Cherokee Princess Myth - Common Family Legends

My great-great-grandmother was a Cherokee Indian princess! How many of you have heard a similar statement made by one of your relatives? As soon as you hear that princess label, the red warning flags should go up. While they are sometimes true, stories of Native American ancestry in the family tree are often more fiction than fact. The Story Goes Family stories of Native American ancestry often seem to refer to a Cherokee princess. Whats interesting about this particular legend is that it almost always seems to be a Cherokee princess, rather than Apache, Seminole, Navajo or Sioux - almost as if the phrase Cherokee princess has become a clichà ©. Keep in mind, however, that almost any story of Native American ancestry may be a myth, whether it involves the Cherokee or some other tribe. How it Began During the 20th century it was common for Cherokee men to use an endearing term to refer to their wives that roughly translated as princess. Many people believe this is how princess and Cherokee were joined in the popular Cherokee ancestry myth. Thus, the Cherokee princess may have really existed—not as royalty, but as a beloved and cherished wife. Some people also speculate that the myth was born in an attempt to overcome prejudice. For a white male marrying an Indian woman, a Cherokee princess may have been a little easier to swallow for the rest of the family. Proving or Disproving the Cherokee Princess Myth If you discover a Cherokee Princess story in your family, begin by losing any assumptions that the Native American ancestry, if it exists, has to be Cherokee. Instead, focus your questions and search on the more general goal of determining whether there is any Native American ancestry in the family, something that is usually untrue in the majority of such cases. Begin by asking questions about which specific family member was the one with Native American ancestry (if no one knows, this should throw up another red flag). If nothing else, at least try to narrow down the branch of the family, because the next step is to locate family records such as census records, death records, military records and records of land ownership looking for any clues to racial background. Learn about the area in which your ancestor lived as well, including what Native American tribes may have been there and during what time period. Native American census rolls and membership lists, as well as DNA tests can also potentially help you prove or disprove Native American ancestry in your family tree. See  Tracing Indian Ancestry  for more information. DNA Testing for Native American Ancestry DNA testing for Native American ancestry is generally most accurate if you can find someone on the direct paternal line (Y-DNA) or direct maternal line (mtDNA) to test, but unless you know which ancestor was believed to be Native American and can find a descendant down the direct paternal (father to son) or maternal (mother to daughter) line, it isnt always practical. Autosomal tests look at DNA on all branches of your family tree but, due to recombination, are not always useful if the Native American ancestry is more than 5–6 generations back in your tree. See Proving Native American Ancestry Using DNA by Roberta Estes for a detailed explanation of what DNA can and cant tell you. Research All Possibilities While the Cherokee Indian Princess story is almost guaranteed to be a myth, there is a chance that this cliche stems from some type of Native American ancestry. Treat this as you would any other genealogy search, and thoroughly research those ancestors in all available records.